And\u011blsk\u00e1 tv\u00e1\u0159 se zm\u011bn\u00ed v \u010dern\u00e9ho rockera, po t\u00e9 v st\u0159\u00edbrn\u00e9 sci- fi monstrum, le\u017e\u00e9rn\u00edho mlad\u00edka ve francouzsk\u00e9m stylu, a na z\u00e1v\u011br v \u017eelezni\u010dn\u00edho model\u00e1\u0159e. Ano,\u2026 mluv\u00edme o um\u011blci, kter\u00e9mu se trochu t\u00e9\u017e p\u0159ezd\u00edvalo chameleon, d\u00edky jeho prom\u011bn\u00e1m z jedn\u00e9 hereck\u00e9 role, hudebn\u00edho stylu, n\u00e1lady nebo image, do paradoxn\u011b opa\u010dn\u00e9.<\/p>\n
Petr Nezhyba (25), se narodil v lidov\u00e9m kraji na Morav\u011b, \u2026na Han\u00e9. Od sv\u00e9ho d\u011btstv\u00ed, d\u00edky siln\u00e9mu n\u00e1tlaku ze strany otce, se nen\u00e1padn\u011b vyv\u00edjel v um\u011blce, kter\u00fdm dnes je. V obdob\u00ed dosp\u00edv\u00e1n\u00ed, m\u00edsto \u201eblbnut\u00ed\u201c s kamar\u00e1dy, musel denn\u011b tr\u00e9novat na trubku pro sout\u011b\u017en\u00ed vystoupen\u00ed. Ve sv\u00fdch 10 letech za\u010dal ne\u00fanavn\u011b komponovat hudbu ve sv\u00e9m d\u011btsk\u00e9m pokoji, kde m\u011bl i trubku, bic\u00ed, klav\u00edr a kytaru. U kl\u00e1ves sed\u011bl do pozdn\u00edch noc\u00ed a jeho\u00a0starostliv\u00e1 m\u00e1ma nemohla\u00a0sp\u00e1t d\u00edky strachu o sv\u00e9ho syna.<\/p>\n
Po p\u00e1r letech se vzdal klidn\u00e9ho \u017eivota na Morav\u011b a odst\u011bhoval se do Prahy. Prvn\u00ed t\u00fddny p\u0159esp\u00e1val ve velk\u00e9m m\u011bst\u011b, v jednom byt\u011b u kamar\u00e1d\u016f, a jeho str\u00e1\u017en\u00fdm and\u011blem, nos\u00edc\u00edm pen\u00edze na hudbu, byla p\u00e1r let firma Siemens. Otr\u00e1ven\u00fd sed\u011bl u po\u010d\u00edta\u010de a tahal sv\u00e9 pracovn\u00edky neust\u00e1le na sv\u00e9 koncerty. \u0158\u00edk\u00e1: \u201ePrvn\u00ed roky v Praze jsem se c\u00edtil s\u00e1m. Nebyl to sv\u011bt, kter\u00fd jsem cht\u011bl, hledal jsem st\u00e1le n\u011bco jin\u00e9ho. M\u00e9 pedantstv\u00ed, siln\u00e9 p\u0159esv\u011bd\u010den\u00ed v \u010distotu \u017eivota, k\u0159es\u0165ansk\u00e1 v\u00fdchova, punti\u010dk\u00e1\u0159stv\u00ed, a syst\u00e9m, mi pomohly vydr\u017eet v hled\u00e1n\u00ed cesty za sv\u00fdm snem.\u201c<\/p>\n
Jednoho r\u00e1na, po bou\u0159liv\u00e9m koncert\u011b, \u201esebral\u201c cd sv\u00e9 hudebn\u00ed skupiny, a \u0161el zaklepat na dve\u0159e um\u011blkyn\u011b, profesorky konzervato\u0159e. Po kr\u00e1tk\u00e9m projevu mu hv\u011bzda odpov\u011bd\u011bla: \u201ejsi originaln\u00ed, \u2026tady nikdo nikde tak origin\u00e1ln\u00ed nen\u00ed.\u201c V Praze vyst\u0159\u00edd\u00e1 n\u011bkolik projekt\u016f a po zapo\u010det\u00ed studia na konzervato\u0159i hraje i v medi\u00e1ln\u00edm projektu, jedinn\u00e9m projektu v Evrop\u011b tohoto stylu- rockov\u00e9 ope\u0159e, na trubku.
\nPetr Nezhyba, jeho\u017e znaj\u00ed lid\u00e9 z um\u011bleck\u00e9 bran\u017ee pod p\u0159ezd\u00edvkou Adonnis, nen\u00ed interpret, kter\u00fd pouze hraje na trubku a zp\u00edv\u00e1. Jeho psychika c\u00edt\u00ed um\u011bn\u00ed jako celek. Maluje obrazy, tvo\u0159\u00ed videoprojekci, modeluje sexistick\u00e9 a futuristick\u00e9 kost\u00fdmy, …a rekvizity.<\/p>\n
\u0158\u00edk\u00e1: \u201eSv\u00e9 kost\u00fdmy a rekvizity m\u00e1m r\u00e1d. Ka\u017ed\u00e1 m\u011b stoj\u00ed noci pr\u00e1ce a\u00a0tak\u00e9 n\u011bjak\u00e9\u00a0finance. Jsou jak m\u00e9 d\u011bti. Vylo\u017een\u011b jsem je za\u010dal i sb\u00edrat. Jednou je pou\u017eiji a n\u011bkdy t\u0159eba v\u00edm, \u017ee jejich v\u00fdstup byl posledn\u00ed,. Ka\u017ed\u00e1 m\u00e1 skladba, notov\u00fd pap\u00edr, kost\u00fdm, obraz, postavi\u010dka, je vyj\u00e1d\u0159en\u00ed \u00faseku m\u00e9ho \u017eivota, kter\u00fd zobrazuje a vysv\u011btluje.“<\/p>\n
Petr Nezhyba se netaj\u00ed ani t\u00edm, \u017ee od sv\u00e9ho d\u011btstv\u00ed, t\u00e9\u017e d\u00edky sv\u00e9mu otci, miluje vlaky. \u201eDodnes c\u00edt\u00edm v\u016fni plastov\u00e9 „novotiny“ prvn\u00edch vagon\u016f, kter\u00e9 jsem dostal pod v\u00e1no\u010dn\u00ed stromek v d\u011btstv\u00ed. Parn\u00ed ma\u0161ina tenkr\u00e1t t\u00e1hla n\u00e1kladn\u00ed vlak se t\u0159emi vagony. Dnes\u00a0m\u00e9 lokomotivy kone\u010dn\u011b jezd\u00ed po dvouposcho\u010fov\u00e9m panelu. Proh\u00e1n\u00ed se jich tu plno a jejich cestu \u0159\u00edd\u00ed n\u00e1v\u011bstidla, nad kter\u00fdmi si d\u00e1v\u00e1m z\u00e1le\u017eet.\u00a0(Nap\u0159., …aby byly um\u00edst\u011bny p\u0159esn\u011b\u00a0podle norem a p\u0159edpis\u016f \u010cD). R\u00e1d tr\u00e1v\u00edm \u010das mezi vlaky.\u00a0Stroje, kter\u00e9 jsou mohutn\u00e9 a bud\u00ed svou silou a rychlost\u00ed respekt, jsou mi cel\u00fd \u017eivot v\u011brn\u00e9. Nalezl jsem v nich pracovn\u00ed uplatn\u011bn\u00ed, pod\u00edval se i n\u011bkolikr\u00e1t k mo\u0159i, p\u0159i n\u00e1ro\u010dn\u00e9 pr\u00e1ci na \u017eeleznici jsem z\u00edskal plno \u017eivotn\u00edch zku\u0161enost\u00ed. Krom\u011b toho v\u0161eho\u2026, kniha n\u00e1v\u011bstn\u00edch p\u0159edpis\u016f je m\u00e1 Bible.<\/p>\n
V sou\u010dasn\u00e9 dob\u011b p\u0159ipravuje multimedi\u00e1ln\u00ed show Fucker a jak se k n\u011bmu vyjad\u0159uje:
\n\u201eT\u00e1ta mi dnes \u0159\u00edk\u00e1: P\u0159esko\u010d z lok\u00e1lky na Pendolino. \u017divot je zrychlen\u00fd a doba usp\u011bchan\u00e1. Mnoz\u00ed mlad\u00ed lid\u00e9 j\u00ed nesta\u010d\u00ed. A\u0165 ti neujede vlak!<\/p>\n
Nejsem interpret, kter\u00fd\u00a0p\u0159i vystoupen\u00ed stoj\u00ed na m\u00edst\u011b. Nebav\u00ed m\u011b to. Kdy\u017e jsem v akci, chci \u017e\u00edt naplno.
\nChci to b\u00fdt j\u00e1. Jinak\u00a0ta chv\u00edle\u00a0nem\u00e1 smysl. Hudbu vid\u00edm jako celek. Mysl\u00edm, \u017ee\u00a0souc\u00edt\u00edm\u00a0s Wagnerovou teori\u00ed, v n\u00ed\u017e g\u00e9nius \u0159ekl:\u00a0Um\u011bn\u00ed je celek…, kombinace hudby, v\u00fdtvarn\u00e9ho um\u011bn\u00ed, tance, sc\u00e9ny, atd.. Pr\u00e1v\u011b tak to od d\u011btstv\u00ed c\u00edt\u00edm. Kdy\u017e skl\u00e1d\u00e1m p\u00edse\u0148, vid\u00edm hned choreografii, tane\u010dnice, grafiku, p\u0159\u00edb\u011bh na videoprojekci a\u00a0rekvizity.<\/p>\n
Usly\u0161\u00edte technick\u00e9 zvuky, jako z n\u011bjak\u00e9ho sci- fi filmu nebo po\u010d\u00edta\u010dov\u00fdch her teenager\u016f, nav\u0161t\u00edv\u00edte vesm\u00edr, kde si odpo\u010dinete od stresov\u00e9ho \u017eivota tady na Zemi, usly\u0161\u00edte t\u00e9\u017e slo\u017eitou operu, temn\u00e9 harmonie hypnotizuj\u00edc\u00ed va\u0161i mysl, komer\u010dn\u00ed tane\u010dn\u00ed zvuky, romantickou a\u017e sentiment\u00e1ln\u00ed popovou linku, ale t\u00e9\u017e tvrd\u00e9 zvuky hip hopu a metalu.
\nKrom\u011b show s postavou p\u0159edstavuj\u00edc\u00ed negativn\u00ed, zvrhlou, a sexisticky postavenou bytost, otev\u00edraj\u00edc\u00ed sv\u011bt po\u017eitku, sexu, a z\u00e1bavy, se jedn\u00e1 t\u00e9\u017e o du\u0161evn\u011b hlubok\u00e9 a\u00a0k\u0159ehk\u00e9 zamy\u0161len\u00ed nad sou\u010dasn\u00fdm d\u011bn\u00edm.<\/p>\n
Multimedi\u00e1ln\u00ed show Fucker se nesna\u017e\u00ed n\u00e1siln\u011b projevit n\u00e1zor, pouze se pozastav\u00ed nad t\u00edm, co se v dne\u0161n\u00edm sv\u011bt\u011b d\u011bje, na co je pot\u0159eba myslet, aby vztahy mezi lidmi byly lep\u0161\u00ed, p\u0159\u00edroda rod\u00edc\u00ed kv\u011btiny nebyla n\u00e1\u0161 soupe\u0159, ale p\u0159\u00edtel, ke kter\u00e9mu se chov\u00e1me \u0161etrn\u011b. Uk\u00e1\u017ee lidem, \u017ee \u017eivot m\u016f\u017ee b\u00fdt i lep\u0161\u00ed, ne\u017e je, jak to chce i s\u00e1m B\u016fh a jak\u00e9 je tu na\u0161e posl\u00e1n\u00ed a smysl byt\u00ed.
\nProto tu jsme. Amen!\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"
And\u011blsk\u00e1 tv\u00e1\u0159 se zm\u011bn\u00ed v \u010dern\u00e9ho rockera, po t\u00e9 v st\u0159\u00edbrn\u00e9 sci- fi monstrum, le\u017e\u00e9rn\u00edho mlad\u00edka ve francouzsk\u00e9m stylu, a na z\u00e1v\u011br v \u017eelezni\u010dn\u00edho model\u00e1\u0159e. Ano,\u2026 mluv\u00edme o um\u011blci, kter\u00e9mu se trochu t\u00e9\u017e p\u0159ezd\u00edvalo chameleon, d\u00edky jeho prom\u011bn\u00e1m z jedn\u00e9 hereck\u00e9 role, hudebn\u00edho stylu, n\u00e1lady nebo image, do paradoxn\u011b opa\u010dn\u00e9. Petr Nezhyba (25), se narodil v lidov\u00e9m kraji na Morav\u011b, \u2026na Han\u00e9. Od sv\u00e9ho d\u011btstv\u00ed, d\u00edky siln\u00e9mu n\u00e1tlaku ze strany otce, se nen\u00e1padn\u011b vyv\u00edjel v um\u011blce, kter\u00fdm dnes je. V obdob\u00ed dosp\u00edv\u00e1n\u00ed, m\u00edsto \u201eblbnut\u00ed\u201c s kamar\u00e1dy, musel denn\u011b tr\u00e9novat na trubku pro sout\u011b\u017en\u00ed vystoupen\u00ed. Ve sv\u00fdch 10 letech za\u010dal ne\u00fanavn\u011b komponovat hudbu ve sv\u00e9m d\u011btsk\u00e9m pokoji, kde m\u011bl i trubku, bic\u00ed, klav\u00edr a kytaru. U kl\u00e1ves sed\u011bl do pozdn\u00edch noc\u00ed a jeho\u00a0starostliv\u00e1 m\u00e1ma nemohla\u00a0sp\u00e1t d\u00edky strachu o sv\u00e9ho syna. Po p\u00e1r letech se vzdal klidn\u00e9ho \u017eivota na Morav\u011b a odst\u011bhoval se do Prahy. Prvn\u00ed t\u00fddny p\u0159esp\u00e1val ve velk\u00e9m m\u011bst\u011b, v jednom byt\u011b u kamar\u00e1d\u016f, a jeho str\u00e1\u017en\u00fdm and\u011blem, nos\u00edc\u00edm pen\u00edze na hudbu, byla p\u00e1r let firma Siemens. Otr\u00e1ven\u00fd sed\u011bl u po\u010d\u00edta\u010de a tahal sv\u00e9 pracovn\u00edky neust\u00e1le na sv\u00e9 koncerty. \u0158\u00edk\u00e1: \u201ePrvn\u00ed roky v Praze jsem se c\u00edtil s\u00e1m. Nebyl to sv\u011bt, kter\u00fd jsem cht\u011bl, hledal jsem st\u00e1le n\u011bco jin\u00e9ho. M\u00e9 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-101","post","type-post","status-publish","format-standard","hentry","category-_"],"_links":{"self":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101"}],"version-history":[{"count":23,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":155,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions\/155"}],"wp:attachment":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}