A FOTO:
\n1. SOUTHERN FROZEN 2008, OLOMOUC, A. BALIK: Rozhodl jsem se nafotit kolekci, pro kterou m\u011b inspirovaly projekty Sandry onoho desetilet\u00ed. Depresivn\u00ed romantika a hled\u00e1n\u00ed d\u016fvodu pojmu Adonnis m\u011b p\u0159inutily vytvo\u0159it kolekci, ne zcela mainstreamovou, ale n\u00e1paditou, tak jak pronesl fotograf. \u010cAS: slunce a sv\u011btlo viditeln\u00e9 na fotografi\u00edch ukazuje \u010das. UK\u00c1ZKA: SV\u011aTLO, D\u00c1LNOST KRAJE.
\n2.ULICE M\u00c9 DLOUH\u00c9 MINULOSTI, 2008, EXPECTANT, OLOMOUC: \u010cAS: v\u0161edn\u00ed kluk z moravsk\u00e9 metropole konkuruj\u00edc\u00ed Praze, v z\u00e1vanu \u017elut\u00e9 barvy p\u0159\u00edrody m\u011bsta. UK\u00c1ZKA: BARVA P\u0158\u00cdRODY M\u011aSTA
\n***
\nB GRAFIKY:
\n1.PRO GAYE, 2005, PROST\u011aJOV: \u010cAS GRAFIKY: Tvorba Sandry Cretu a skladatel\u016f jej\u00edho t\u00fdmu onoho desetilet\u00ed ve mn\u011b vyvol\u00e1v\u00e1 depresivn\u011b romantick\u00e9 pocity. \u010cast\u00e9 grafiky a dopl\u0148kov\u00e9 obr\u00e1zky p\u0159ipom\u00ednaj\u00edc\u00ed funkcionalismus, (kostel\u00edk v d\u00e1li s kresbou slunce nere\u00e1ln\u00e9 barvy). UK\u00c1ZKA:
\nMINIOBR\u00c1ZKY S KOSTEL\u00cdKY A KRAJEM
\n\u010cAS TEXTU: extravagantn\u011b \u010dasov\u00e9 a poh\u00e1dkov\u00e9 vyj\u00e1d\u0159en\u00ed. <\/p>\n
CELKOV\u00c1 ADONNIS \u010cASOVOST A INDIVIDU\u00c1LN\u00cd ZNA\u010cKA:
\nVYJ\u00c1D\u0158EN\u00cd \u010cASU KRAJE, TYP VYJ\u00c1D\u0158EN\u00cd RO\u010cN\u00cdHO OBDOB\u00cd, SLUNCE\/ U ALB GRAFIK- Z\u00c1V\u011aRE\u010cN\u00c9 TIR\u00c1\u017dE\/ \u010cAS, RO\u010cN\u00cd OBDOB\u00cd A VYJ\u00c1D\u0158EN\u00cd KV\u011aTIN, KRAJE A SLUNCE.
\n***
\nC TEXTY GRAFIK:
\nVIZ. CELKOV\u00c1 IMAGE ADONNIS POU\u017dITA U GRAFIK
\n***
\nD TEXTY SKLADEB:
\n1.\u010cAS RO\u010cN\u00cdHO OBDOB\u00cd:
\nALBUM: V \u017dIVOT\u011a P\u0158IJDE OKAM\u017dIK, (PROST\u011aJOV, 2001): P\u0158ICH\u00c1Z\u00cd ZIMA, (2001, PROST\u011aJOV)- zvl\u00e1\u0161t\u011b refr\u00e9n s bled\u00fdmi t\u00f3ny vyjad\u0159uj\u00edc\u00edmi d\u00e1ln\u00fd kraj, dok\u00e1\u017e\u00ed nast\u00ednit n\u00e1ladu p\u00edsn\u011b, kter\u00e1 nevinn\u011b spustila intro na konci alba, (nevinn\u00fdmi t\u00f3ny), a vy\u0159e\u0161ila osud.
\nALBUM J\u00c1 A TY- POZDN\u00cd PODZIM, (2006, PROST\u011aJOV)- romantick\u00e1 l\u00e1ska podzimn\u00edho \u010dasu se prom\u011b\u0148uje v jin\u00fd \u010das- zimu\/ vyj\u00e1d\u0159en\u00ed p\u0159\u00edrodn\u00edch \u00fakaz\u016f kraje grafikou i textem: UK\u00c1ZKA: pou\u017eita slovn\u00ed spojen\u00ed: \u201ednes ji\u017e\/ dnes zhas\u00edn\u00e1\u2026\u201c
\nP\u0158ICH\u00c1Z\u00cd ZIMA, (2006, PROST\u011aJOV)- zvl\u00e1\u0161t\u011b refr\u00e9n s bled\u00fdmi t\u00f3ny vyjad\u0159uj\u00edc\u00edmi d\u00e1ln\u00fd kraj, dok\u00e1\u017e\u00ed nast\u00ednit n\u00e1ladu p\u00edsn\u011b, kter\u00e1 nevinn\u011b spustila intro na konci alba, (nevinn\u00fdmi t\u00f3ny), a vy\u0159e\u0161ila osud.
\nUK\u00c1ZKA: pou\u017eita slovn\u00ed spojen\u00ed: \u201ednes ji\u017e\/ dnes zhas\u00edn\u00e1\u2026\u201c
\nP\u00edse\u0148 m\u00e1 stejnou podobu a charakter postaven\u00ed se b\u011bhu cel\u00e9ho alba do sentiment\u00e1ln\u00ed roviny, p\u0159\u00ed\u010dem\u017e stejn\u00fd charakter zauj\u00edm\u00e1 i v projektu z let d\u0159\u00edv\u011bj\u0161\u00edch.
\n2. \u010cAS- V\u0160ECHNA ALBA
\n3. PROPOJEN\u00cd S MINULOST\u00cd: MODERN\u00cd SV\u011aT (2005, PROST\u011aJOV)- L\u017dE\u0160- REF., kde proch\u00e1z\u00edm krajem, kde se kdysi n\u011bco stalo. UK\u00c1ZKA: \u201eza rok, v tenhle den\u2026\u201c
\nSTAR ON THE DANCEFLOOR (2006, PROST\u011aJOV)- KDY\u017d SE SV\u011aTLA ROZ\u017dHNOU. Sv\u011btla roz\u017e\u00edhaj\u00ed show (milostn\u00fd rom\u00e1n) a na z\u00e1v\u011br alba zhas\u00ednaji (KDY\u017d SE SV\u011aTLA ZHASNOU). UK\u00c1ZKA: \u201eparket \u0161\u00edlenc\u016f se zved\u00e1 s n\u00e1mi v\u0161emi k nebi\/ a j\u00e1 si ti\u0161e ut\u00edk\u00e1m do d\u00e1li a ty mi bre\u010d\u00ed\u0161 za z\u00e1dy!\u201c
\n***
\nE GRAFIKY WEBU: X
\n***
\nF OBRAZ: X
\n***
\nG REKVIZITY, KULISY A KOST\u00ddMY: viz. n\u00ed\u017ee
\n***
\nH HUDBA:
\nA PROTIHARMONIE:
\n1. STAR ON THE DANCEFLOOR, PROST\u011aJOV, 2008:
\n1. KDY\u017d SE SV\u011aTLA ROZ\u017dHNOU, PROST\u011aJOV, 2008- \u010cAS: protiharmonie intra <\/p>\n
2. FUCKER, PRAHA, 2014:
\n1. FUCKER, PRAHA, 2014- \u010cAS: protiharmonie refrenu
\n2. GIRLS, PRAHA, 2014- \u010cAS: protiharmonie refrenu
\n3. ADONNIS, PRAHA, 2014- \u010cAS: protiharmonie <\/p>\n
3. NZHBA, PRAHA, 2015:
\n1. INICI\u00c1LY, PRAHA, 2015- \u010cAS: protiharmonie
\n2. \u0160OUBYZNYS, PRAHA, 2015- \u010cAS: protiharmonie <\/p>\n
4. OD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018: protiharmonie v\u0161ech skladeb<\/p>\n
B HRUB\u00c1 ARAN\u017dE INTRA: viz. INICI\u00c1LY <\/p>\n
C END- HRUB\u00c1 ARAN\u017dE S \u010cASOV\u00ddM BASEM:
\n1. THE CONFESSIONS, PRAHA, 2011:
\n1. YOUR ADONNIS- TYPICK\u00c9: end s hrubou harmoni\u00ed a odpadnut\u00edm basu <\/p>\n
2. NZHBA, PRAHA, 2015:
\n1. YES!- TYPICK\u00c9: end s hrubou harmoni\u00ed a odpadnut\u00edm basu <\/p>\n
3. OD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018:
\n1. NEZN\u00c1M\u00c1- TYPICK\u00c9: end s hrubou harmoni\u00ed a odpadnut\u00edm basu<\/p>\n
D END- HRUB\u00c1 ARAN\u017dE S ROZEV\u0158EN\u00cdM BASU:
\n1. FUCKER, PRAHA, 2014:
\n1. MANIPULATED- TYPICK\u00c9: end s hrubou harmoni\u00ed a rozev\u0159en\u00edm basu <\/p>\n
2. NZHBA, PRAHA, 2015:
\n1. INICI\u00c1LY- TYPICK\u00c9: end s hrubou harmoni\u00ed a rozev\u0159en\u00edm basu<\/p>\n
NEZN\u00c1M\u00c1, (ALBUM: OD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018):
\nDruhou skladbu s harmoni\u00ed, je\u017e je m\u00fdm \u017eivotn\u00edm snem- opakuj\u00edc\u00ed se linka meditativn\u00edho charakteru se smutn\u00fdmi jazzov\u00fdmi akordy, zach\u00e1zej\u00edc\u00edmi a\u017e do harmonie specifi\u010dnosti, \u010di klasiky. P\u0159ipom\u00ednaj\u00edc\u00ed vlo\u017eku meditativn\u00ed opakuj\u00edc\u00ed se linky, co r\u00e1zn\u011b p\u0159ijde, zmedituje poslucha\u010de a odejde.\u010casovost p\u0159\u00edb\u011bhu linky je pou\u017eita ji\u017e v mnoha m\u00fdch star\u0161\u00edch projektech, kdy jsem se jako mlad\u00fd um\u011blec inspiroval p\u0159edev\u0161\u00edm projektem Enigma.\u010casovost z\u00e1v\u011bru, kde harmonie za\u010d\u00edn\u00e1 m\u011bnit podobu, v n\u011bkter\u00e9m typu t\u011bchto skladeb \u0159\u00eddne, propojena basem, kter\u00fd \u010dasov\u011b m\u011bn\u00ed celou harmonii, \u010di vymiz\u00ed a t\u00edm vytvo\u0159\u00ed ne\u00fapln\u00fd \u010dasov\u00fd harmonikc\u00fd z\u00e1v\u011br.<\/p>\n
E MELODICK\u00c1 LINKA- ROTACE:
\n1. OD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018: v\u0161echny p\u00edsn\u011b. TYPICK\u00c9: protiharmonick\u00e1 rotuj\u00edc\u00ed linka
\n***
\nI TRAILER:
\n***
\nJ KLIP:
\n***
\nK PROJEKT VSAZEN DO PROJEKTU V\u011aT\u0160\u00cdHO:
\nA HUDEBN\u00cd ALBUM:
\n 1. V \u017dIVOT\u011a P\u0158IJDE OKAM\u017dIM, PROST\u011aJOV, 2001:
\n1.P\u0158ICH\u00c1Z\u00cd ZIMA, PROST\u011aJOV, 2001- zm\u011bna ro\u010dn\u00edho obdob\u00ed…, v\u0161e je jin\u00e9…, lid\u00e9 zahaleni v ko\u017eich\u00e1ch, \u010cAS: po p\u0159edchoz\u00ed p\u00edsni alba nast\u00e1v\u00e1 zastaven\u00ed a zamrznut\u00ed. TYPICK\u00c9: zastavit dlouhou hudebn\u00ed linku alba p\u0159ed koncem. <\/p>\n
2. NZHBA, PRAHA, 2015:
\n1. INICI\u00c1LY, PRAHA, 2015- po 3p\u00edsn\u00edch \u016fvodu alba zasekne sentiment\u00e1ln\u00ed hrub\u00e1 aran\u017ee intra dal\u0161\u00ed p\u00edsn\u011b b\u011bh alba a \u0159e\u0161\u00ed probl\u00e9m, \u010cAS: viz. popis. TYPICK\u00c9: viz. popis
\n2. YES!, PRAHA, 2015- \u010cAS: po p\u0159edchoz\u00ed p\u00edsni alba nast\u00e1v\u00e1 zastaven\u00ed a zamrznut\u00ed. TYPICK\u00c9: zastavit dlouhou hudebn\u00ed linku alba p\u0159ed koncem.<\/p>\n
B VE\u0158EJN\u00c1 PRODUKCE:
\nOD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018:
\n1. ME IN MUSART- viz. INICI\u00c1LY
\n2. INICI\u00c1LY: viz. INICI\u00c1LY
\n3. OTEC A SYN, PRAHA, 2018- viz. opakuj\u00edc\u00ed se linka
\n***
\nL LOGO: X
\n***
\nM GESTO: X
\n***
\nN CHOREOGRAFIE:
\nA VIDEOKLIPY:
\n1. PORNOADONNIS, PRAHA, 2013- st\u0159\u00edh\u00e1n\u00ed rukou
\n2. SHOWBYZNYS, PRAHA, 2014- spole\u010dn\u00e9 sv\u00edjen\u00ed, \u010cAS: ikonick\u00e1 sc\u00e9na
\n3. I MET MADONA, PRAHA, 2015- nasazov\u00e1n\u00ed kornout\u016f na svat\u00fd obraz, \u010cAS: ikonick\u00e1 sc\u00e9na
\n4. CO \u017dIVOT D\u00c1V\u00c1, PRAHA, 2017- ikonick\u00fd z\u00e1b\u011br z kyvadla, \u010cAS: propojen\u00ed minulosti, (drsn\u00e9 cesty k \u016fsp\u011bchu) a sou\u010dasn\u00e9ho \u017eivotn\u00edho levelu<\/p>\n
B VE\u0158EJN\u00c1 PRODUKCE:
\nOD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018:
\n1. INICI\u00c1LY, PRAHA, 2015- osudov\u00e1 l\u00e1ska a propad psychiky hrdiny, \u010cAS: \u010dasov\u011b n\u00e1znakov\u00e9 pohyby a posuny hrdin\u016f sc\u00e9ny propojen\u00e9 s vyv\u00edjej\u00edc\u00ed se melodickou linkou
\n***
\nO SC\u00c9NA:
\nA KOST\u00ddMY:
\nSHOW I MET MADONNA, PRAHA, 2016: Adonnis image- klobouk, kudrnat\u00e9 vlasy, sako, rukavice s ust\u0159i\u017een\u00fdmi kone\u010dky,… <\/p>\n
B PROJEKCE:
\n1.K\u0158EST CD FUCKER, PRAHA, 2014:
\n1. IRONY, 2014, PRAHA- fialov\u00fd k\u0159\u00cd\u017e na \u010dern\u00e9m podklad\u011b, choreografick\u00fd symbol uk\u0159i\u017eov\u00e1n\u00ed\/ \u010cAS: kombinace katolick\u00e9 barvy jemnosti s \u010dern\u00fdm podkladem
\n2. PORNOADONNIS, 2014, PRAHA- \u010cAS: poh\u00e1dkov\u011b oran\u017eov\u00fd n\u00e1dech a p\u0159ekontrastovan\u00fd obraz <\/p>\n
2.K\u0158EST KLIPU I MET MADONNA, PRAHA, 2016:
\n1. I MET MADONNA, PRAHA, 2015- \u010cAS: videoprojekce s ikonick\u00fdmi sc\u00e9nami prolo\u017een\u00e1 re\u00e1lnou choreografi\u00ed <\/p>\n
3. SHOW- OD NICOTY KE HV\u011aZD\u00c1M, PRAHA, 2018: 1. OTEC A SYN- l\u00e1ska otce a syna, v tomto projektu v\u00fdraz nov\u00e9 l\u00e1sky, jako opravdov\u00e9 \u017eivotn\u00ed kvality, \u010cAS: malebn\u00e9 prol\u00edn\u00e1n\u00ed d\u00edt\u011bte a r\u016f\u017ee na projekci<\/p>\n
C REKVIZITY: VIZ.: REKVIZITY
\nD KULISY: VIZ.: PROJEKCE
\n—
\nVYJ\u00c1D\u0158EN\u00cd \u010cASU V\u0160ECH PROJEKT\u016e:
\nA FOTOGRAFIE: viz. z\u00e1znam v\u00fd\u0161e <\/p>\n
B GRAFIKA:
\n1.BAREVN\u00c9 POCiTY V D\u00c1LK\u00c1CH, PROST\u011aJOV, 2002:
\n1.\u017dN\u011a U KONCE- feeling tepla a klima jihov\u00fdchodn\u00edch zem\u00ed. TYPICK\u00c9: motivy zdej\u0161\u00ed kultury ve spojen\u00ed se sluncem
\nMY LIFE IN ASIA, PROST\u011aJOV, 2006:
\n-cel\u00e9 album vystihuje nedosa\u017eitelnou vzd\u00e1lenost- dalek\u00e9 a nekone\u010dn\u011b dlouh\u00e9 pust\u00e9 zem\u011b. TYPICK\u00c9: byzantsk\u00e1 architektura ve spojen\u00ed se sluncem
\nROKY NA UKRAJIN\u011a, PROST\u011aJOV, 2007:
\n-opu\u0161t\u011bn\u00fd v\u00fdchod a zkrachoval\u00e1 staven\u00ed. TYPICK\u00c9: vykreslen\u00ed osam\u011blosti kraje
\nMOJE TAJN\u00c1 ZEM, PROST\u011aJOV, 2006
\n-p\u0159\u00edrodn\u00ed \u00fakazy (u kreseb seversk\u00fdch zem\u00ed- zamrzl\u00fd \u010das). TYPICK\u00c9: zamrzl\u00e1 zem\u011b
\n– zvl\u00e1\u0161tn\u00ed objekty v on\u00e9 krajin\u011b= TYPICK\u00c9<\/p>\n
C TEXTY:
\n1.GAY POV\u00cdDKY: -\u010d\u00e1st alba zam\u011b\u0159uj\u00edc\u00ed se na d\u00e1ln\u00fd v\u00fdchod vystihuje nedosa\u017eitelnou vzd\u00e1lenost- dalek\u00e9 a nekone\u010dn\u011b dlouh\u00e9 pust\u00e9 zem\u011b, uv\u011bzn\u011bn\u00ed v n\u00ed. TYPICK\u00c9: zobrazen\u00ed osam\u011blosti<\/p>\n
HUDBA:
\nA HUDEBN\u00cd ALBA:
\n1.MODERN\u00cd SV\u011aT, PROST\u011aJOV, 2003:
\nL\u017dE\u0160!- refr\u00e9n s \u010dasov\u00fdm textem, kdy se vrac\u00edm do onoho kraje po letech. Propojeno s \u010dasovou harmoni\u00ed akord\u016f. TYPICK\u00c9: propojen\u00ed obou celk\u016f- hudby i textu dan\u00fdm vyj\u00e1d\u0159en\u00edm
\n2.J\u00c1 A TY, PROST\u011aJOV, 2006:
\n-skladby v\u011bnuj\u00edc\u00ed se osam\u011bl\u00e9mu kraji a kon\u010d\u00edc\u00edmu podzimu, vyjad\u0159uj\u00ed \u010das a pozdn\u00ed obdob\u00ed roku. TYPICK\u00c9: vyj\u00e1d\u0159en\u00ed zm\u011bny ro\u010dn\u00edho obdob\u00ed, (vyj\u00e1d\u0159en\u00ed slovn\u00edm spojen\u00edm: \u201en\u011bco se m\u011bn\u00ed, \u2026\u010das chl\u00e1dne). Propojeno s grafikami.
\n4.POLAR NIGHTS IN ONE LAND, PROST\u011aJOV, 2008:
\n-barevnost a jinost alba odli\u0161n\u00e1 od p\u0159edchoz\u00edch. R\u016f\u017eovomodr\u00fd n\u00e1dech obalu alba a \u010dast\u00e9 zobrazov\u00e1n\u00ed grafik s b\u00edl\u00fdmi hv\u011bzdami na tmav\u0161\u00edm podklad\u011b, p\u0159ipom\u00ednaj\u00ed pol\u00e1rn\u00ed z\u00e1\u0159i. Text mluv\u00ed o \u010dase dnes a kdysi= TYPICK\u00c9
\n5.MY RANDB FOR YOU, PRAHA, 2009:
\n– osam\u011blost a texty mluv\u00edc\u00ed o dne\u0161n\u00ed dob\u011b, ale t\u00e9\u017e seri\u00e1lu etap. TYPICK\u00c9: slovn\u00ed vyj\u00e1d\u0159en\u00ed \u201eserial story\u201c
\n6. NOVOU K\u00c1RU, PRAHA, 2014:
\n-\u010dasov\u00fd bas a harmonie v bridge spojena s textem pojedn\u00e1vaj\u00edc\u00edm o \u010dase dnes a kdysi. TYPICK\u00c9: vyj\u00e1d\u0159en\u00ed: \u201etam, kde jsem kdysi na kytaru hr\u00e1l\u201c<\/p>\n
SPECI\u00c1LN\u00cd:
\nA HUDBA PROPOJENA S OBDOB\u00cdM ZAM\u011aSTN\u00c1N\u00cd INTERPRETA NA \u017dELEZNICI (PKP):
\n1.PKP, PRAHA, 2014: de\u0161tiv\u00e9 , ale i hork\u00e9 dni na kolej\u00edch zn\u00e1zor\u0148uj\u00ed posmutn\u011blou a nostalgickou techniku PKP, (star\u00e9 sloupy trolejov\u00e9ho veden\u00ed, d\u00e1ln\u00fd pr\u00e1zdn\u00fd kraj\u2026). TYPICK\u00c9: nostalgie a zvl\u00e1\u0161tnost tvar\u016f
\n2.SUPERSTAR CZ, PRAHA, 2014:
\n– v Krakov\u011b dotv\u00e1\u0159\u00edm harmonii st\u00e1le se opakuj\u00edc\u00ed kytary, hraj\u00edc\u00ed \u010dasov\u011b a neust\u00e1le se v p\u00edsni vracej\u00edc\u00ed jako deus ex machina. TYPICK\u00c9: \u010dasov\u00e1 harmonie vracej\u00edc\u00edho se n\u00e1stroje
\n3. FUCKER PROJEKT JAKO CELEK, PRAHA, 2014:
\n-promofoto, v\u00fdroby kost\u00fdm\u016f, p\u00edsn\u011b, grafiky- vytv\u00e1\u0159en\u00e9 v osam\u011blosti, na Praze Stod\u016flky. TYPICK\u00c9: kost\u00fdmy a rekvizitiy bud\u00edc\u00ed osam\u011blost a z\u00e1rove\u0148 extravaganci. P\u0159\u00edrodn\u00ed motivy (\u010d\u00e1sti okrajov\u00e9 m\u011bstsk\u00e9 \u010d\u00e1sti- ke\u0159e, pole\u2026)
\n4. K\u0158EST KLIPU \u201eI MET MADONNA\u201c A Z\u00c1TI\u0160\u00cd REKVIZIT, PRAHA, 2016:
\n-tepl\u00fd m\u011bs\u00edc a osam\u011blost mezi rekvizitami a talismany jevi\u0161tn\u00ed techniky. TYPICK\u00c9: l\u00e1ska k jevi\u0161tn\u00ed technice<\/p>\n","protected":false},"excerpt":{"rendered":"
A FOTO: 1. SOUTHERN FROZEN 2008, OLOMOUC, A. BALIK: Rozhodl jsem se nafotit kolekci, pro kterou m\u011b inspirovaly projekty Sandry onoho desetilet\u00ed. Depresivn\u00ed romantika a hled\u00e1n\u00ed d\u016fvodu pojmu Adonnis m\u011b p\u0159inutily vytvo\u0159it kolekci, ne zcela mainstreamovou, ale n\u00e1paditou, tak jak pronesl fotograf. \u010cAS: slunce a sv\u011btlo viditeln\u00e9 na fotografi\u00edch ukazuje \u010das. UK\u00c1ZKA: SV\u011aTLO, D\u00c1LNOST KRAJE. 2.ULICE M\u00c9 DLOUH\u00c9 MINULOSTI, 2008, EXPECTANT, OLOMOUC: \u010cAS: v\u0161edn\u00ed kluk z moravsk\u00e9 metropole konkuruj\u00edc\u00ed Praze, v z\u00e1vanu \u017elut\u00e9 barvy p\u0159\u00edrody m\u011bsta. UK\u00c1ZKA: BARVA P\u0158\u00cdRODY M\u011aSTA *** B GRAFIKY: 1.PRO GAYE, 2005, PROST\u011aJOV: \u010cAS GRAFIKY: Tvorba Sandry Cretu a skladatel\u016f jej\u00edho t\u00fdmu onoho desetilet\u00ed ve mn\u011b vyvol\u00e1v\u00e1 depresivn\u011b romantick\u00e9 pocity. \u010cast\u00e9 grafiky a dopl\u0148kov\u00e9 obr\u00e1zky p\u0159ipom\u00ednaj\u00edc\u00ed funkcionalismus, (kostel\u00edk v d\u00e1li s kresbou slunce nere\u00e1ln\u00e9 barvy). UK\u00c1ZKA: MINIOBR\u00c1ZKY S KOSTEL\u00cdKY A KRAJEM \u010cAS TEXTU: extravagantn\u011b \u010dasov\u00e9 a poh\u00e1dkov\u00e9 vyj\u00e1d\u0159en\u00ed. CELKOV\u00c1 ADONNIS \u010cASOVOST A INDIVIDU\u00c1LN\u00cd ZNA\u010cKA: VYJ\u00c1D\u0158EN\u00cd \u010cASU KRAJE, TYP VYJ\u00c1D\u0158EN\u00cd RO\u010cN\u00cdHO OBDOB\u00cd, SLUNCE\/ U ALB GRAFIK- Z\u00c1V\u011aRE\u010cN\u00c9 TIR\u00c1\u017dE\/ \u010cAS, RO\u010cN\u00cd OBDOB\u00cd A VYJ\u00c1D\u0158EN\u00cd KV\u011aTIN, KRAJE A SLUNCE. *** C TEXTY GRAFIK: VIZ. CELKOV\u00c1 IMAGE ADONNIS POU\u017dITA U GRAFIK *** D TEXTY SKLADEB: 1.\u010cAS RO\u010cN\u00cdHO OBDOB\u00cd: ALBUM: V \u017dIVOT\u011a P\u0158IJDE OKAM\u017dIK, (PROST\u011aJOV, 2001): P\u0158ICH\u00c1Z\u00cd ZIMA, (2001, PROST\u011aJOV)- zvl\u00e1\u0161t\u011b refr\u00e9n s bled\u00fdmi t\u00f3ny vyjad\u0159uj\u00edc\u00edmi d\u00e1ln\u00fd kraj, dok\u00e1\u017e\u00ed nast\u00ednit n\u00e1ladu […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1590","post","type-post","status-publish","format-standard","hentry","category-_"],"_links":{"self":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/1590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1590"}],"version-history":[{"count":4,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/1590\/revisions"}],"predecessor-version":[{"id":1608,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=\/wp\/v2\/posts\/1590\/revisions\/1608"}],"wp:attachment":[{"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/petr-nezhyba.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}